Activities per year
Abstract
This is a selection of images from the Gibson-Massie Moore Collection, supplement by a table created by curator Sarah McCleave. The purpose is to identify the numerous creators involved in the Irish Melodies series (music editor, illustrators, engravers, etc.), and to illustrate some characteristics kinds of variants
| Original language | English |
|---|---|
| Publisher | Special Collections, Queen's University Belfast |
| Media of output | Online |
| Publication status | Published - 2014 |
Bibliographical note
Reproduction of any images within these materials in any format for any purpose other than personal research and study may constitute a violation of CDPA 1988 and infringement of rights associated with the materials. For permissions information regarding the images please contact [email protected]Keywords
- Thomas Moore
- music- 19th century
- publishing -- 19th century
- Irish Melodies
ASJC Scopus subject areas
- General Arts and Humanities
Fingerprint
Dive into the research topics of 'Thomas Moore Music Project: The Genesis of Thomas Moore's Irish Melodies'. Together they form a unique fingerprint.Activities
- 2 Participation in conference
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About Romantic Imprints: 14th International Conference for the British Association of Romantic Studies
McCleave, S. (Participant)
16 Jul 2015 → 19 Jul 2015Activity: Participating in or organising an event types › Participation in conference
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New Directions in Thomas Moore research
McCleave, S. (Organiser)
03 May 2013Activity: Participating in or organising an event types › Participation in conference
Research output
- 1 Chapter (peer-reviewed)
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The genesis of Thomas Moore’s Irish melodies, 1808-1834
McCleave, S., 01 Jan 2017, Cheap Print and Popular Song in the Nineteenth Century. A Cultural History of the Songster. Watt, P., Scott, D. B. & Spedding, P. (eds.). Cambridge: Cambridge University Press, p. 47-70 24 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
4 Citations (Scopus)