To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation

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Abstract

In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation. La Luna (Enrico Casarosa) marks a pivotal shift in Pixar’s short film canon by displaying hand-drawn artwork and man-made textures. Widely considered the innovators of computer-generated animation, Pixar is now experimenting with 2D animation techniques and with textures that oppose the clean and polished look of mainstream American animation. This article aims to outline the significant technological developments that have facilitated an organic aesthetic by suggesting that nostalgia dictates a preference for a more traditional look. It will also argue that this process pioneered by Pixar has in turn influenced the most recent short films of Walt Disney Animation Studios
Original languageEnglish
Article number2
Number of pages17
JournalAlphaville: Journal of Film and Screen Media
Issue number8
Publication statusPublished - 2015

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  • Prizes

    Screen: Annette Kuhn Essay Award

    Haswell, Helen (Recipient), 2016

    Prize: Prize (including medals and awards)

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