Abstract
In this chapter I explore the ethical challenge of preserving participant anonymity when using visual methods in ethnographic research. Referring to my own ethnographic study in post-conflict Northern Ireland, I explore the how social, cultural and political contexts may accentuate the need to preserve anonymity. discuss my rationale for opting not to use photographs in this context and put forward the case for using participant-produced drawings as an alternative to photographs. Drawings accomplish similar rich benefits as photographs but may ameliorate the ethical challenges inherent in photographic work of maintaining participant anonymity
Original language | English |
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Title of host publication | Ethics and Integrity in Visual Research Methods |
Editors | Savannah Dodd |
Publisher | Emerald Publishing |
Chapter | 2 |
Volume | 5 |
ISBN (Print) | 9781787694200 |
Publication status | Published - 05 Jun 2020 |
Publication series
Name | Advances in research ethics and integrity |
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Publisher | UK Emerald Publishing 2020 |
Fingerprint
Dive into the research topics of 'Using Participant-Produced Drawings as an Alternative to Photographs in Ethnographic Research'. Together they form a unique fingerprint.Student theses
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Not quite the same: A personal ecology perspective on the enduring impact of growing up with the troubles
Author: Mazzetti, A., Dec 2021Supervisor: Murphy, F. (Supervisor) & Svasek, M. (Supervisor)
Student thesis: Doctoral Thesis › Doctor of Philosophy