The French-language prose works of Ying Chen re-examine the idea of absolute cultural cores of being and belonging which has traditionally been associated with Chinese overseas literature. Her concept of identity, constantly in the process of becoming, can be understood through the various ways in which her own, and her characters', ‘between-world’ consciousness is expressed, namely through the portrayal of migration, the metaphors of shores and bridges, the themes of attachment and detachment, and the discussion of physical displacement and inner exile. The author's theories on literary language, too, focus on in-between spaces, such as that between the real and the probable.
|Number of pages||16|
|Journal||Modern Language Review|
|Publication status||Published - Apr 2011|
ASJC Scopus subject areas
- Language and Linguistics
- Literature and Literary Theory
- Linguistics and Language