Abstract
Music is a temporal practice whose roots may be imminently spatial. This thesis will enunciate the conceptual model and the practical manifestations of a research project in the context of solo music improvisation based on a particular relation between free improvisation and site-specific artistic practices. My activities as a cellist, sound artist with an academic background in architecture are articulated here to think through solo improvisations as a hybrid relation of concert-installation to a specific time and space.This research focuses on a portfolio of concert-installation site-specific work leading to the development of a system comprised of a conceptual framework, an electroacoustic device, a dedicated sonic vocabulary and spatial and temporal strategies.
| Date of Award | Dec 2019 |
|---|---|
| Original language | English |
| Awarding Institution |
|
| Sponsors | Fundação para a Ciência e a Tecnologia |
| Supervisor | Pedro Rebelo (Supervisor) & Simon Waters (Supervisor) |
Cite this
- Standard
