Self and desire
: surrealism in the images and texts of Federico García Lorca, Rafael Alberti, Remedios Varo and Leonora Carrington

  • Tara Plunkett

Student thesis: Doctoral ThesisDoctor of Philosophy

Abstract

In the quest to find ‘le fil conducteur’ between the worlds of reason and madness, reality and the dream, and life and death, the Surrealists, led by André Breton, aimed to leave no question without an answer, caring little about the coherence of the response. The fundamental question for Breton, as voiced in the opening pages of Nadja (1928), was one he shared with many poets and painters of his generation, disillusioned by war and seeking a greater truth: ‘Who am I? This study focuses on four artists who chose to articulate their complex identity questions within a Surrealist aesthetic; poets and painters who had varying degrees of contact with the Surrealist movement, each facing different obstacles and reaping diverse rewards. For Breton, desire was the key to tapping into his creative subconscious. This investigation examines works by Federico García Lorca, Rafael Alberti, Remedios Varo and Leonora Carrington, to determine how they used Surrealism in their attempts at selfdefinition and how, if at all, their efforts were mediated by desire.
Date of AwardJul 2013
Original languageEnglish
Awarding Institution
  • Queen's University Belfast
SupervisorTerence McMullan (Supervisor) & Roberta Ann Quance (Supervisor)

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