In the quest to find ‘le fil conducteur’ between the worlds of reason and madness, reality and the dream, and life and death, the Surrealists, led by André Breton, aimed to leave no question without an answer, caring little about the coherence of the response. The fundamental question for Breton, as voiced in the opening pages of Nadja (1928), was one he shared with many poets and painters of his generation, disillusioned by war and seeking a greater truth: ‘Who am I? This study focuses on four artists who chose to articulate their complex identity questions within a Surrealist aesthetic; poets and painters who had varying degrees of contact with the Surrealist movement, each facing different obstacles and reaping diverse rewards. For Breton, desire was the key to tapping into his creative subconscious. This investigation examines works by Federico García Lorca, Rafael Alberti, Remedios Varo and Leonora Carrington, to determine how they used Surrealism in their attempts at selfdefinition and how, if at all, their efforts were mediated by desire.
Date of Award | Jul 2013 |
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Original language | English |
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Awarding Institution | - Queen's University Belfast
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Supervisor | Terence McMullan (Supervisor) & Roberta Ann Quance (Supervisor) |
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Self and desire : surrealism in the images and texts of Federico García Lorca, Rafael Alberti, Remedios Varo and Leonora Carrington
Plunkett, T. (Author). Jul 2013
Student thesis: Doctoral Thesis › Doctor of Philosophy